{"id":546971,"date":"2014-10-07T09:53:31","date_gmt":"2014-10-07T07:53:31","guid":{"rendered":"http:\/\/berliner-schloss.de\/?page_id=546971"},"modified":"2017-07-26T09:06:16","modified_gmt":"2017-07-26T09:06:16","slug":"agencement-exterieur","status":"publish","type":"page","link":"https:\/\/berliner-schloss.de\/fr\/chteau-historique\/agencement-exterieur\/","title":{"rendered":"Agencement ext\u00e9rieur"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

C\u2019\u00e9tait le plus important monument baroque de l\u2019Allemagne<\/h1>\n

[\/vc_column_text][vc_column_text]Andreas Schl\u00fcter r\u00e9alisa les fa\u00e7ades du ch\u00e2teau en s\u2019inspirant de monuments connus situ\u00e9s \u00e0 Rome, comme le Palazzo Madama pr\u00e8s de la Piazza Navona, aujourd\u2019hui le si\u00e8ge du S\u00e9nat italien. Avec humour, le ch\u00e2teau de Berlin aurait \u00e9t\u00e9 d\u00e9crit comme le plus important palais romain au nord des Alpes.
\nA. Schl\u00fcter r\u00e9ussit \u00e0 mettre les fa\u00e7ades du ch\u00e2teau en \u00e9vidence comme le montre les photos suivantes. En r\u00e9action au dynamitage imminent, les historiens de l\u2019est et de l\u2019ouest ont appel\u00e9 vainement \u00e0 conserver ce monument outre-mesure pour l\u2019histoire de Berlin et l\u2019histoire de l\u2019art en g\u00e9n\u00e9ral.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”548944″ img_size=”262×133″ alignment=”center” img_link_large=”yes”][vc_column_text]Le mus\u00e9e dit Altes Museum a \u00e9t\u00e9 construit par F. K. Schinkel, rappelant une des facades de l\u2019Agora antique d\u2019Ath\u00e8nes, premier lieu de la d\u00e9mocratie, en opposition aux facades baroques du ch\u00e2teau repr\u00e9sentant le f\u00e9odalisme et l\u2019absolutisme. Il se voulait un architecte de l\u2019Aufkl\u00e4rung[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”548950″ img_size=”262×133″ alignment=”center” img_link_large=”yes”][vc_column_text]Le ch\u00e2teau dominait le centre de la villeLe ch\u00e2teau s\u2019\u00e9tendait de la partie droite de l\u2019image sous la tour de l\u2019h\u00f4tel de ville jusqu\u2019au-del\u00e0 de la cath\u00e9drale, dont la coupole d\u00e9passe. Comme le ch\u00e2teau d\u00e9passait les autres monuments de 10m de hauteur, il dominait \u00e9galement les immeubles d\u2019Unter den Linden.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”548657″ img_size=”266×133″ alignment=”center” img_link_large=”yes”][vc_column_text]Le vieux centre de Berlin: ch\u00e2teau, cath\u00e9drale, mus\u00e9e et arsenal symboles du pouvoir de l\u2019Etat, de la religion et de la culture se concentrent autour du Lustgarten.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”549475″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”548680″ img_size=”400×205″ alignment=”center” img_link_large=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]And Richard Hamann, the Professor of the Art History Institute of Berlin\u2019s Humboldt Univeristy, emphasized:<\/p>\n

\u201cBerlin is poor in monuments of the past, but it possesses a work that is worthy to rank with the greatest ones of the past and is mentioned and pictured in all art histories of the world: The Berlin Palace.\u201d<\/strong><\/p>\n

Berlin Palace: Spree river fa\u00e7ade before the construction of the ship dock, about 1875. \u201cIts creator was the greatest sculptor and architect in northern Germany, Andreas Schl\u00fcter. There it stands with a fascinating power and monumentality, an example of the unique north German baroque, worthy to stand along side of Michelangelo\u2019s St. Peters in Rome and the Louvre in Paris. It dominated the center of Berlin, the square which it helped to form and the streets which led to it. It is the very essence of old Berlin for those who would like to see Berlin\u2019s past reembodied.\u201d <\/strong>[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”549476″ img_size=”large” alignment=”center” onclick=”img_link_large”][vc_column_text][\/vc_column_text][vc_single_image image=”549477″ img_size=”400×297″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”549478″ img_size=”large” alignment=”center” onclick=”img_link_large”][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”548906″ img_size=”400×247″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”548905″ img_size=”400×247″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]Richard Hamann, Ordinarius de l\u2019Institut d\u2019Histoire de l\u2019Art \u00e0 la Humboldt Universit\u00e4t de Berlin :
\n\u00ab Berlin est pauvre en monuments du pass\u00e9 mais poss\u00e8de une \u0153uvre qui s\u2019ajoute dignement aux plus grandes du pass\u00e9 et qui retrouve son nom et ses images dans toutes les histoires des arts du monde: le ch\u00e2teau de Berlin. Son architecte est le plus grand sculpteur et architecte de l\u2019Allemagne du nord, Andreas Schl\u00fcter. Il se tient l\u00e0 dans toute sa puissance et sa monumentalit\u00e9, un repr\u00e9sentant du baroque sp\u00e9cifique de l\u2019Allemagne du nord, aux c\u00f4t\u00e9s de St Pierre de Rome ou du Louvre \u00e0 Paris.
\nIl domine le centre de Berlin, la place \u00e0 laquelle il donne son image, la voie qui conduit \u00e0 lui, l\u2019image donn\u00e9e du pass\u00e9 de Berlin, il domine ce qui d\u00e9finit tant Berlin. \u00bb<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”548831″ img_size=”400×263″ alignment=”center” img_link_large=”yes”][vc_single_image image=”548832″ img_size=”400×263″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”548656″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

A Johannes Stroux, le pr\u00e9sident de l\u2019Acad\u00e9mie des sciences de Berlin de rajouter:
\n\u00bb Une puissante gravit\u00e9 appara\u00eet c\u00f4t\u00e9 ville alors que l\u2019esprit de f\u00eate d\u00e9coinc\u00e9 et l\u2019\u00e9l\u00e9gance ouverte sur le monde c\u00f4t\u00e9 jardin. Suite au d\u00e9veloppement du b\u00e2timent par Eosander, le ch\u00e2teau se tournait non plus vers le sud mais vers l\u2019ouest; avec l\u2019ancien arsenal et l\u2019op\u00e9ra Unter den Linden le ch\u00e2teau formait un centre monumental, comme peu de capitales peuvent s\u2019en targuer. \u00bb<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”548795″ img_size=”400×269″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”548655″ img_size=”400×269″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”548888″ img_size=”262×341″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548829″ img_size=”262×265″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548794″ img_size=”262×341″ alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][vc_row][vc_column width=”1\/1″][vc_column_text]<\/p>\n

C\u2019\u00e9tait le plus important monument baroque de l\u2019Allemagne<\/h1>\n

[\/vc_column_text][vc_column_text]Andreas Schl\u00fcter r\u00e9alisa les fa\u00e7ades du ch\u00e2teau en s\u2019inspirant de monuments connus situ\u00e9s \u00e0 Rome, comme le Palazzo Madama pr\u00e8s de la Piazza Navona, aujourd\u2019hui le si\u00e8ge du S\u00e9nat italien. Avec humour, le ch\u00e2teau de Berlin aurait \u00e9t\u00e9 d\u00e9crit comme le plus important palais romain au nord des Alpes. A. Schl\u00fcter r\u00e9ussit \u00e0 mettre les fa\u00e7ades du ch\u00e2teau en \u00e9vidence comme le montre les photos suivantes. En r\u00e9action au dynamitage imminent, les historiens de l\u2019est et de l\u2019ouest ont appel\u00e9 vainement \u00e0 conserver ce monument outre-mesure pour l\u2019histoire de Berlin et l\u2019histoire de l\u2019art en g\u00e9n\u00e9ral.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”548944″ img_size=”262×133″ alignment=”center” img_link_large=”yes”][vc_column_text]Le mus\u00e9e dit Altes Museum a \u00e9t\u00e9 construit par F. K. Schinkel, rappelant une des facades de l\u2019Agora antique d\u2019Ath\u00e8nes, premier lieu de la d\u00e9mocratie, en opposition aux facades baroques du ch\u00e2teau repr\u00e9sentant le f\u00e9odalisme et l\u2019absolutisme. Il se voulait un architecte de l\u2019Aufkl\u00e4rung[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”548950″ img_size=”262×133″ alignment=”center” img_link_large=”yes”][vc_column_text]Le ch\u00e2teau dominait le centre de la villeLe ch\u00e2teau s\u2019\u00e9tendait de la partie droite de l\u2019image sous la tour de l\u2019h\u00f4tel de ville jusqu\u2019au-del\u00e0 de la cath\u00e9drale, dont la coupole d\u00e9passe. Comme le ch\u00e2teau d\u00e9passait les autres monuments de 10m de hauteur, il dominait \u00e9galement les immeubles d\u2019Unter den Linden.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”548657″ img_size=”266×133″ alignment=”center” img_link_large=”yes”][vc_column_text]Le vieux centre de Berlin: ch\u00e2teau, cath\u00e9drale, mus\u00e9e et arsenal symboles du pouvoir de l\u2019Etat, de la religion et de la culture se concentrent autour du Lustgarten.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”549475″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”548680″ img_size=”400×205″ alignment=”center” img_link_large=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]And Richard Hamann, the Professor of the Art History Institute of Berlin\u2019s Humboldt Univeristy, emphasized:<\/p>\n

\u201cBerlin is poor in monuments of the past, but it possesses a work that is worthy to rank with the greatest ones of the past and is mentioned and pictured in all art histories of the world: The Berlin Palace.\u201d<\/strong><\/p>\n

Berlin Palace: Spree river fa\u00e7ade before the construction of the ship dock, about 1875. \u201cIts creator was the greatest sculptor and architect in northern Germany, Andreas Schl\u00fcter. There it stands with a fascinating power and monumentality, an example of the unique north German baroque, worthy to stand along side of Michelangelo\u2019s St. Peters in Rome and the Louvre in Paris. It dominated the center of Berlin, the square which it helped to form and the streets which led to it. It is the very essence of old Berlin for those who would like to see Berlin\u2019s past reembodied.\u201d <\/strong>[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”549476″ img_size=”400×297″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][vc_single_image image=”549477″ img_size=”400×297″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”549478″ img_size=”409×635″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”548906″ img_size=”400×247″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”548905″ img_size=”400×247″ alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text]Richard Hamann, Ordinarius de l\u2019Institut d\u2019Histoire de l\u2019Art \u00e0 la Humboldt Universit\u00e4t de Berlin : \u00ab Berlin est pauvre en monuments du pass\u00e9 mais poss\u00e8de une \u0153uvre qui s\u2019ajoute dignement aux plus grandes du pass\u00e9 et qui retrouve son nom et ses images dans toutes les histoires des arts du monde: le ch\u00e2teau de Berlin. Son architecte est le plus grand sculpteur et architecte de l\u2019Allemagne du nord, Andreas Schl\u00fcter. Il se tient l\u00e0 dans toute sa puissance et sa monumentalit\u00e9, un repr\u00e9sentant du baroque sp\u00e9cifique de l\u2019Allemagne du nord, aux c\u00f4t\u00e9s de St Pierre de Rome ou du Louvre \u00e0 Paris. Il domine le centre de Berlin, la place \u00e0 laquelle il donne son image, la voie qui conduit \u00e0 lui, l\u2019image donn\u00e9e du pass\u00e9 de Berlin, il domine ce qui d\u00e9finit tant Berlin. \u00bb<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”548831″ img_size=”400×263″ alignment=”center” img_link_large=”yes”][vc_single_image image=”548832″ img_size=”400×263″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”548656″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

A Johannes Stroux, le pr\u00e9sident de l\u2019Acad\u00e9mie des sciences de Berlin de rajouter: \u00bb Une puissante gravit\u00e9 appara\u00eet c\u00f4t\u00e9 ville alors que l\u2019esprit de f\u00eate d\u00e9coinc\u00e9 et l\u2019\u00e9l\u00e9gance ouverte sur le monde c\u00f4t\u00e9 jardin. Suite au d\u00e9veloppement du b\u00e2timent par Eosander, le ch\u00e2teau se tournait non plus vers le sud mais vers l\u2019ouest; avec l\u2019ancien arsenal et l\u2019op\u00e9ra Unter den Linden le ch\u00e2teau formait un centre monumental, comme peu de capitales peuvent s\u2019en targuer. \u00bb<\/strong> [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”548795″ img_size=”full” alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”548655″ img_size=”full” alignment=”center” img_link_large=”yes”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”548888″ img_size=”262×341″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548829″ img_size=”262×265″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548794″ img_size=”262×341″ alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Prof. Dr. Ernst Gall, Directeur g\u00e9n\u00e9ral de l\u2019administration des ch\u00e2teaux prussiens et bavarois, pr\u00e9venait d\u00e9j\u00e0 en 1950: \u00ab On d\u00e9truit le ch\u00e2teau de Berlin, on d\u00e9truit un des chefs d\u2019\u0153uvre architecturaux ayant de nombreuses facettes qui aujourd\u2019hui encore appartient \u00e0 notre monde apr\u00e8s tant de pertes. Du tournant du XVIIe -XVIIIe si\u00e8cle, il en existe peu en Europe qui pourrait pr\u00e9tendre pouvoir d\u00e9passer ce monument dans sa force et dans la clart\u00e9 plastique des fa\u00e7ades. \u00bb<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”548823″ img_size=”262×182″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”549294″ img_size=”262×182″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548827″ img_size=”262×182″ alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”548834″ img_size=”medium” alignment=”center” onclick=”img_link_large”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548833″ img_size=”262×155″ alignment=”center” img_link_large=”yes”][vc_column_text]Berlin Palace: Schl\u00fcter courtyard from the east. The facades of the transverse wing were remodeled under Kaiser Wilhelm I in neorenaissance style. Schl\u00fcter wanted originally to change them to be a mirror image of his East Portico. His firing after the mint tower catastrophe (see \u201cArchitectural History\u201d) prevented this[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548835″ img_size=”262×329″ alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”548724″ img_size=”large” alignment=”center” onclick=”img_link_large”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”548830″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”548823″ img_size=”262×182″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”549294″ img_size=”262×182″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548827″ img_size=”262×182″ alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”548834″ img_size=”262×329″ alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548833″ img_size=”262×155″ alignment=”center” img_link_large=”yes”][vc_column_text]Berlin Palace: Schl\u00fcter courtyard from the east. The facades of the transverse wing were remodeled under Kaiser Wilhelm I in neorenaissance style. Schl\u00fcter wanted originally to change them to be a mirror image of his East Portico. His firing after the mint tower catastrophe (see \u201cArchitectural History\u201d) prevented this[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”548835″ img_size=”262×329″ alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”548724″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”548830″ img_size=”full” alignment=”center” img_link_large=”yes”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

C’&eacute;tait le plus consid&eacute;rable des mon<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":550760,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-546971","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/pages\/546971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/comments?post=546971"}],"version-history":[{"count":15,"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/pages\/546971\/revisions"}],"predecessor-version":[{"id":551027,"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/pages\/546971\/revisions\/551027"}],"up":[{"embeddable":true,"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/pages\/550760"}],"wp:attachment":[{"href":"https:\/\/berliner-schloss.de\/fr\/wp-json\/wp\/v2\/media?parent=546971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}